Which One's Pink?

That's been the classic vexing debate after Pink Floyd's break up, between Roger and David's fans. The question comes from what Roger had heard in a convention in the early days of Pink Floyd. Someone had asked: "Oh by the way, which one's Pink?" thinking that Pink Floyd is a band member name. That made Roger to write Have A Cigar later for Wish You Were Here Album. A song about fame, fortune, money, and "riding the gravy train" in music industry.

Thanks to my introducer to Pink Floyd, he gave me the video of a cover band called "The Australian Pink Floyd". A pack of very talented Australian guys who could make themselves the most prominent and serious cover band, at least the only one that I know. The video is their concert in Liverpool in 2004. They have covered the whole Dark Side of the Moon and a bunch of other songs incredibly great in a big stage imitating all those post-Roger concerts style. The audience were enjoying themselves completely because although the music was greatly performing, the men behind the microphones were not the legendary official band members, so one could just say: shout and scream, who cares? This ain't Pink Floyd! The same idea was supported by the band themselves! They had replaced the classical pig with a funny giant kangaroo dancing during One of These Days (that scary song)!!! That made me laugh about an hour insanely! I enjoyed it a lot.

What I'm thinking now, is what Roger was saying in Live At Pompeii video. Answering questions about the expensive and unique equipments they used to perform their music, he said:

RW: This is the question of using the tools available when they are available! And more and more now there's all kinds of electronic goodies which are available for people like us to use. If we can be bothered and we can be bothered... It's like saying give a man a Les Paul guitar and he becomes Eric Clapton, you know, and it's not true! Give a man an amplifier and a synthesizer and he doesn't become whoever, he doesn't become us... I'd like to say if we were at a gig, it could be nice sometimes to say: Go on then, there it is, get stuck in! In fact open the show, it's gonna be 4000 people in here in half an hour, get out there and knock them out man, and then they'd say: Oh but we don't know the equipment and need time to rehearse! So we'd say: So did we about four or five years ... if people come to a concert and they don't like it, they don't come again!

and in another argument:

RW: Steve you're good at your job, but you could never produce a record so it's silly of you to try!

Steve: No rubbish! if you take a crappy enough group with only twelve songs...

RW: that's not we're talking about!

Steve: We're talking about producing works of art, or Pink Floyd records! That's 0.01 percent of the market, there's plenty of other crap going on!

RW: We are not talking about it at all, we're talking about a record producer who is in charge of a recording session. In order to be in charge of a recording session you need to have a minimal, not minimal, you need to have a fairly extensive knowledge of what the equipment is about and what music is about and what rock and roll's about, well steve knows what rock and roll's about but he got no idea of what the equipment is about, he's got very little idea in terms of technicalities, he knows what he likes.

Steve: Plenty of people have produced very successful records on that basis!

RW: Who?

...

RW: All Im' saying is in the finished article the only thing that's important is whether it moves you or not, there's nothing else as that important.