Celestial Voices

There's something magical in Celtic music that makes my spirit soar beyond mundane boundaries every time I listen to it. I don't know how the Irish could keep loads of those great old melodies during the time and why we, Iranians, couldn't. I wish we could. Those Celtic melodies divinely express a spectrum of different senses from wisdom, joy and love to the deepest grief. Iranian musicians say that in Iran we have just kept the grief part during the time, and lost most of our vivacious melodies, that's why we are now the top sad nation in the world. Without music we are spiritless and gloomy.

Anyway. It's been some days that I can't change my playlist to play any other item than Loreena McKennitt's songs. Her voice is unique and makes part of me departing during any of her songs. Mixed with some eastern instruments she sometimes shifts to new age style. In 2006, she gave an album called An Ancient Muse, 9 years after her last album in 1997. In 2007 she had a concert in Alhambra, Spain. This video is from that concert:

Do You Find Me Sadistic?

La Mariée était en noir (The Bride Wore Black) (1968)
Directed By: François Truffaut
IMDB
My Rate: 4/5

I was surprised to learn that this film is the archetype of Kill Bill's plot. How intelligent Tarantino is.! Kill Bill is just another intelligent hybrid movie! As you may guess, the story is like this:

In the wedding day, when the bride and the groom come out of church with the guests around them, out of nowhere the groom is shot and the despondent bride pledges a revenge the other day in the same church. She finds the the killers' names and addresses and makes her "DEATH LIST FIVE" and crosses out the names one by one. But of course there's no sign of Tarantino violence or martial action in this film. The bride is a woman and uses the women's tricks to seduce her victims and commit her cold blooded revenge.

This is the second time that I see the original model of a quite new film that is based "totally" upon the older one. Fortunately both new films worked great and were more interesting for today's taste. The other one was Abre Los Ojos by Alejandro Amenabar which is remade by Cameron Crowe as Vanilla Sky. Certainly Abre Los Ojos is a genuine film but it has some small flaws in the ending scene when the main character, César, is going up and down the building to figure out that the building is not real. In Vanilla Sky these kind of small flaws were patched, and of course some unique sense of sadness is imbued in the film with great selection of music used in it. About Kill Bill no further explanation is needed that it quenches the today's audience need to watch bloodshed, suspension and thrill.

Acoustic Simple Pleasures

1. JOJO /kho-kho/, that's how Spaniards represent evil laughter. I'm happy that I can pronounce that /kh/ sound. Regarding to this page at least 309 million English speaking people in the world can't pronounce it!

2. Hugo Weaving in V for Vendetta wore a mask in the whole movie, he made a revolution with his sonorous voice in the movie, and made me remember his conversation with Neo, in The Matrix, forever:

...In one life, you're Thomas A. Anderson... program writer for a respectable software company. You have a social security number. You pay your taxes. And you help your landlady carry out her garbage...

3. The first CD I burned for myself, was a collection of Eloy albums. The German rock band who took his mystic name from H.G. Wells' The Time Machine, one of my favorite books to read over and over as a teenager, where human beings in some future time are divided into two castes and the delicate, rich, healthy, lucky and aristocrat caste is called Eloi. Eloy is categorized as a space rock band. The heavy organ and bass fills that each play a major role in the songs, always make me high. I call it the natural high feeling. A sense of Floating, which is the name of one of their albums.

Cauldron of Hate

Death and The Maiden (1994)
Directed By: Roman Polanski
IMDB
My Rate: 5/5

In some Latin American country a brutal fascist regime has been subverted. Paulina Lorca (Sigourney Weaver), a former political activist who has been tortured by that regime now lives in some coastal suburb with her husband Gerardo Escobar who has also been an activist but now is a lawyer and tries to litigate the dogs of the previous tyrant. Paulina still suffers from the trauma of the tortures but has never thoroughly disclosed the traits of the torments she had been through. One rainy night incidentally she recognizes her torturer accompanying her husband to home. Time to get revenge. Time to get things even. Time to have a straight-up talk with Gerardo.

Considering myself in a situation like that, I thought what would be the best thing to do? As an observer you may say, yes, that's the best time to get revenge. Take an eye for an eye. Rape him if you have been raped! There he has sat, his hands are tight, he has no power, you can adjudicate, you can torture him and get his confession, and finaly you can execute him. Better slaughter and butcher him. But how many people really can do that? Can I kill somebody who have done the worst things to me? Am I capable of applying justice even if I'm totally in the right? I'm afraid I am not. I think I am not.